Monday, July 19, 2010

Banning the Bodies Exhibition

http://www.publicola.net/2010/06/29/without-valid-written-authorization-from-the-deceased/

San Francisco has already banned the Bodies exhibition due to the fact that some of the bodies were obtained from China, and China's current status as a country where "permission" is often synonymous with "you didn't say no loud enough" or "you were a political prisoner / murderer / mental patient, ergo you don't get to say yes or no what's done with your body". Now Nick Lacata, Seattle City Council member, is sponsoring legislation that would require any exhibition to obtain permission from the donor's bodies to make sure the bodies are exhibited with respect and dignity.

And that's definitely NOT what happens with the Bodies Exhibition.

On some level I see the Bodies exhibition as a fascinating anatomy discussion, on another a puppetry of intensely macabre proportions. The bodies that are built and maintained are plasticized in an incredibly brilliant method that replaces all of the muscles and veins, capillaries and other organic materials that allows the preservation of the musculature - on the other hand, I'm fairly certain none of the bodies shown in the exhibition really wanted to be paraded around in public. Chinese ancestor traditions means that the families cannot visit these people and provide the graveside services; and frankly, if I knew my grandfather or grandmother, my aunt or my sister were plasticized after their bodies were sold to an organization without my consent, I'd be livid. At best this is disrespectful, at worst it's the desecration of a corpse.

I've not been able to find out whether the bodies used in the exhibition were willingly given by either the families or the deceased themselves. But I also don't see much of a need to outright ban these - I don't plan on attending because of the moral issues I have with this, and I am not the type of person who likes watching the Saw movies the check out the interior body components of other human beings. The Bodies Exhibition is doing downhill; had Licata actually wanted to make a dent in the behavior, he should have set something like this in motion four years ago when the exhibition showed up in the first place.

There's also a racial or a foreign component to this that bothers me. Western societies have a long tradition of using the bodies of "foreigners" as curiosities and exploiting them for "scientific research". The Victorian era hasn't quite finished with the morbid fascination of digging up dead people and showing them in a museum. Very few pioneers of the West were dug up and shown because it wouldn't be "respectful" - likewise, the majority of bodies donated in the United States to medical science aren't used for museum exhibitions. The museums have the technology to virtually explore human bodies in 3-D without sacrificing the dignity of a human being - and the costs would be similar, if not identical to putting a corpse on display, much like Saartjie Baartman (http://en.wikipedia.org/wiki/Saartjie_Baartman) or the bones of Geronimo.

I wonder if the reaction and the fascination about Bodies would be so popular if the bodies came from Ohio, or Eureka, or the San Fernando Valley, or Manhattan's Upper West Side. Or whether the question of respect for the deceased would even come up. But since they're bodies from China that nobody knows where they came from (aside from some government officials in China who likely made a tidy bribe off of their sale), they are anonymous and we don't have to think about them. If our reaction to Mrs. Sophie Carmichael, grandmother of five, died of a heart attack is that she should be given a dignified burial and that her corpse should not be plasticized in a pose that implies she was a bit of a tramp for all eternity, then it's likely the same pose of Xia Hiu, political prisoner, should be treated the same. 

For my perspective, I won't attend a Bodies exhibition precisely because I cannot see the intention of the people who built this Exhibition as being anything other than sensationalism using the cheapest and most accessible human remains they could - and that happened to be from China, with no questions asked. In a lot of ways, actively walking through the Bodies Exhibition is participating, and while I'm sure the "scientific" curiosity and experience must, for some, outweigh the moral costs, I am also quite sure that the people who "own" this exhibit have made more than their fair share of money profiting from the display of the bodies without the consent of the deceased, or their families.

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